Showing posts with label dragoneye pi. Show all posts
Showing posts with label dragoneye pi. Show all posts

Thursday, December 20, 2012

Of Slings and Feeling Vexed, a DragonEye Story



In honor of the Mayan calendar ending, I thought I'd share this story of Vern and Quetzalcoatl. BTW, you did hear that they found a bigger calendar?  Apparently only the wall calendar runs out.

Of Slings and Feeling Vexed (And Other Mayan Stuff)

By Karina Fabian
(Originally appeared in 10Flash)

“You want me to do what?”
“You will defeat the Mayan’s false god,” Cortez said.
“And bring these people to the True God,” Father Jose Dominguez added.
The conquistador ignored the little priest who stood next to him, and regarded me with a haughty glare. Although a small man himself, Cortez had presence.
That irked me. I was more the size of one of his dogs than the great dragon I once had been. St. George had spent forty days taking away just about everything that made me dragon, then forced me to serve the Church to get it back. At the time, I thought my world had ended, but it opened up the doors to a pretty interesting new one.
Of course, some days were more “interesting” than others.
“In case you hadn’t noticed,” I replied, with acid in my voice to replace the fire I no longer breathed, “I’m no heavyweight. Even when I was, I didn’t mess with demigods.  What makes you think this will end well?”
He didn’t deign to answer.
“You will be as David against Goliath!” Father Jose said.
I snorted. And me without a slingshot.
#
Quetzalcoatl laughed. “This is your champion? This is the might of the foreign—”
Goliath or not, I did not want to deal with his monologue. I bit his tail. 
Quetzalcoatl yelped and shot into the air, dragging me along. I barely had time to get my bearings before he smashed me against a pyramid.
Oh, it was on!
I caught his eye, stuck out my tongue to show the chunk I’d bitten off his tail, then swallowed it. While he sputtered in outrage, I lunged for his wings.
He twisted, quick as his temper. As I hurtled by, I snagged his tail and spun into a twisting loop. He had to follow.  Even demigods can’t ignore leverage.
Hack and slash. Bite and duck.  First for hours, then for a day. A second day began. The Spanish kept the Mayans from offering sacrifices to rebuild Quetzelcoatl’s strength, but no one fed me, either. Once or twice, I spotted Father Jose fingering his beads, but I knew he chanted, “Thy will be done.”
They will.  Great.  I knew for a fact that God took a longer term view of things than sentients and His will didn’t often match mine.  I ducked to avoid the demigod’s slashing claws and got a kick in the gut for my effort.
The sun had almost set for the third time. Quetzalcoatl and I perched on opposing treetops, hissing and spitting – posturing really – as we caught our breaths. 
I ached beyond all measure. Quetzalcoatl’s poison burned in me. I couldn’t keep this up much longer. You ever read Psalms, chapter twenty-two, verse seventeen? “I can count all my bones. People look and stare upon me.” I figured it would be faster to count the handful that didn’t hurt.
Then something else from King David came to me, something Father Jose had mentioned. I decided to count the hours and the minutes. I plucked and shoved an avocado into my mouth.
“Let’s end this,” Quetzalcoatl panted. “Join with me. Defeat the Spanish and rule at my side.”
“Seriously? And spend eternity like this?” I spoke around my chewing.
Thirty nine hours – and almost one more –
“You prefer to bow to lesser beings? You would have me subservient to the likes of them?”
He spat toward Cortez. 
Fifty-seven minutes. 
I rolled my eyes to show my opinion of his stupidity.  “Not them, to God. That’s your place as much as mine.”
Fifty-eight. 
Quetzalcoatl hissed at me, then reared back, eyes glowing fire, wings unfurled, godlike and larger than life.
Fifty-nine.
I spat the pit at him.  It struck his forehead.
And the demigod crashed to the ground. Forty hours. Another forty for God. He has a thing about that number.
* * *
Cortez and his men celebrated victory. I sat atop a lonely hill, licking my wounds. Poison ate at me, making me nauseous. Still, I couldn’t help but smile as Quetzalcoatl flopped onto the ground next to me.  Nice to see I gave almost as good as I got.
With a grudging glance, he hissed a spell. I felt the poison fade. Got to love kindness from an enemy. “Good fight,” I said. 
“I was outclassed.”
I knew he didn’t mean me. 
In the camp, the conquistadors laughed and toasted God and each other. In the city, the Mayan people mourned.
Quetzalcoatl closed his eyes to a pain that had nothing to do with his wounds. “Their world is ending.”
“I know.”
The Mayans had worshiped Quetzalcoatl for millennia. He’d done well by them. Their empire spread across Mesoamerica, and for centuries, they prospered. Yet in mere days, pasty-faced invaders with a puny dragon changed everything.
“Why aren’t you down there with them?”
“They should not see me this way.”
Sandaled footsteps caught our attention. Father Jose struggled up the hill, carrying an urn.
“Blessed water,” he explained in broken Mayan.
He dipped a rag and reached for Quetzalcoatl’s wing.
The demigod reared back. “What hypocrisy is this?”
“No hypocrisy. Change must come.”
“Must it?” Quetzalcoatl sneered.
“You took from God. Now He welcomes back. Baptism tomorrow. Many souls saved.”
“What about me?” the demigod almost wailed.
“Quetzalcoatl great demigod,” Father Jose said. “Cares for people. But no more human sacrifice. Jesus only sacrifice. No more killing. Now, Communion and life.”
Quetzalcoatl presented his wing. As the priest washed away the dirt and blood, I saw new feathers already budding. Tomorrow, Quetzalcoatl would be back to his full glory. He would oversee the baptism of his people with a benevolent eye, as the Spaniards joined in prayers and celebration with their Mayan brothers.
And thus, a new world begins.

Monday, August 27, 2012

Story time! Reading aloud from Live and Let Fly

I even made pictures and some snarky comments. That way you don't have to look at my face for the next six minutes. 



Enjoyed that?  You can buy Live and Let Fly at http://tinyurl.com/LiveAndLetFly or Amazon.

Thursday, June 07, 2012

Introducing Stan Rakness by Karina Fabian

I'm taking June off to go to Virginia and Disneyworld with the family before Rob deploys, so I'm rerunning some of writing posts I wrote for other blogs.


The great thing about my DragonEye, PI universe it that it’s BIG and diverse and open to new characters.  What started out with a dragon, a princess and her elf consort is now populated with nuns and police captains, heralds and restaurateurs…

…and even secret agents.

Live and Let Fly is a super spy spoof.  No spy spoof is complete without a 007 take-off, so Rakness, Stan Rakness was born.

I started out with extensive research—watching 007 movies and Austin Powers, reading Ian Fleming novels, and keeping track of the clichés.  Torturous!  

A lot of people build their characters extensively before writing—character sheets, deep thought on their motivation and background.  I, however, tend to write seat-of-the-pants and let them tell me all of this.  Thus, I created a secret interdimensional cooperative (The Bureau of Interdimensional Law Enforcement) and populated it with agents from the military and civilian forces…and CIA agent Stan Rakness.

First thing, he let me know that he does not take himself too seriously.  For all the danger and stress, he loves his job and thinks it’s the biggest high in the world.  When he and Vern meet at a high-security meeting to discuss what could be an interdimensional crisis, he and Vern tease each other over who gets the donuts.  He loves taking on the ladies in his alter-egos—sometimes as a chauvinistic jerk, sometimes as the fawning fanboy.

Stan is from Idaho, which (though not mentioned) became pretty important when Vern & Company got in trouble there and needed a place to rest and recover.  His father was a flim-flam man, and when he was a kid, Stan took part in many of his schemes, which is where he learned to love “the game” as well as to take on different personalities.  However, his mother divorced his father when she discovered what they were doing, and he realized they’d been doing wrong as well as breaking the law.  Still, that “bug” never left him, which is why he loves his job.

Stan has some serious moments, and some Bond-style foibles, like a fear of flying.  They make for some fun scenes in the book.  He hopes you’ll check him out—er, check IT out—in Live and Let Fly.

Monday, April 23, 2012

The Inside Scoop from a Cover Artist, Lex Valentine


Today, I have a guest blog from the cover artist of Live and Let Fly--Lex Valentine.  Lex did a terrific cover and was very receptive to my feedback.  She was great to work with and I've gotten a lot of comments on the results.  She's going to give you the inside scoop on cover art from the artist's POV.

I’m Lex Valentine and I’m an author. I’m also a cover artist for MuseItUp, Pink Petal Books, Passion in Print and MLR Press as well as for authors who self-publish. Karina asked me to guest blog here today because I created the cover for her new release, Live and Let Fly. I thought it would be a good opportunity to show readers and authors alike what goes into the creation of a cover.

The creation of a cover starts with the information the author provides to the artist. The artist uses the information to either draw an image or find an image or images that fit. They create the cover based on their interpretation of the information. When the author looks at it, they let the artist know what works and what doesn’t work. The artist then goes back and makes changes to bring the cover more in line with what the author envisions.

Most publishers that allow author input (some houses do not allow input unless the cover really misrepresents the book) up to a point, one or two passes of changes and that’s all. The reason they can’t allow more is because it’s cost prohibitive (time is money!) and it can build ill will between artist and author and publisher. The fastest way for a publisher to see an author as a Diva who may not be worth their time in the future is for the author to keep asking for more and more changes to the cover art. And believe me, if an author is Diva-ish when it comes to their cover and their book doesn’t sell well, the publisher may pass on future manuscripts from that author. Trust me. I’ve seen it happen.

The best thing an author can do when it comes to cover art is to realize there are limitations to everything. First, there are limitations when it comes to communication. If the author doesn’t articulate their vision very well, the artist is more likely to return a mockup that doesn’t match that vision. Artists don’t have crystal balls! They can’t read author minds! You need to be very concise about your descriptions and you also need to articulate what you are willing to bend on.

Second, there are limitations based on the artist. Some artists can actually draw. Others use photo manipulation. Those that can draw rely totally on the descriptions provided by the author. Those that use photo manipulation are limited by the images that are available to use. The more wild and diverse the characters and setting the less likely a photo manipulation artist is to find images that will work for the cover.

Third, there are almost always limitations based on cost. If a photo manipulation artist finds only one image that correctly portrays a character, the author may insist on that image. If the publisher pays the cost of the images and the image is expensive they may say no. If the artist pays the cost of the image and it comes out of their commission, they may say no. There are a lot of images that are cost prohibitive out there. And for artists who receive their fee based on the sales of the book, paying out of their pocket for images means they are fronting the cost of that cover in the hope that they will recoup what they have spent. They are in a sense, paying the author for the right to do their cover…at least until the sales start rolling in. No sales means the artist has given away that cover for free and the money spent on it becomes a loss.

Fourth, there are limitations based on time. If the cover art is needed quickly because a release date is very close, there may be very little time to make changes to the first draft of a cover. Also, when the artist is paid a flat fee for a cover, the longer it takes to create a cover, the less money an artist makes on it. At some point continuing to make changes becomes cost prohibitive. If an artist’s flat fee is $100 based on $25 an hour, that’s 4 hours the artist has to find images, create the cover and make the changes. If the work goes beyond 4 hours, the artist is no longer making any money on that cover.

Luckily for me, Karina’s cover required only two passes of changes. She wanted a very James Bond looking cover which immediately brought the gun barrel image to mind. Finding the inside of a gun barrel at the stock agencies turned out to be a piece of cake. I then decided to use the Mobsters font because it turned some of the letters into guns. Some of you may remember the font as the one used on the Sopranos TV show.

Next, I needed a red dragon. Since I write dragonshifters myself I did have a few dragons in my light box and they led me to the dragon I eventually chose for Vern. Finding a human Vern turned out to be fairly easy too. The man with the glasses seemed very James Bond-ish while still giving the reader the ability to see him as Vern’s human form.

I had a feeling that finding a Grace would be trouble. And she was. I looked at a lot of nun photos before I found one that might work. Lucky for me, Karina liked the one I chose.

We had some tweaking to do in terms of colorizing but all in all, this wasn’t a difficult cover to make and Karina’s requests didn’t outdo or match the Diva authors I’ve worked with. It ended up being a fun cover I think readers will be drawn to. The James Bond ties are obvious as is the fact that the book is humorous.

As an author myself, I always strive to give authors a cover that fits their vision. Sometimes I can’t do that. When that happens, I try to at least give them something representative of the book, something beautiful that catches the reader’s eye and makes them want to know more about what’s inside. I know that when I, as an author, have no input on a cover and the cover isn’t pleasing to me, I find myself trying extra hard to sell the book to people. And I’ve sometimes found myself trying to justify the cover even though I don’t like it either. As an artist, it can be really uncomfortable to sit in the author chair and not be given any say over my cover. And believe me, I have been in that position several times.

So there you have it, thoughts from a cover artist on what it takes to create covers. If you’re interested in my work, my portfolio can be seen at http://winterheart.com. Many thanks to Karina for having me today and I wish her many sales with Vern and Grace!

Lex Valentine
Winterheart Design

Monday, April 16, 2012

Behind the Scenes with Editor Penny Ehrenkranz


Penny Ehrenkranz is a line editor for MuseItUp and a dear lady.  I thought for the book tour, it'd be fun to ask her about her experiences editing and especially about editing Live and Let Fly.  She's also an author in her own right, so check out her books!


1.  What is your job at MuseItUp?  What kind of editing do you do?

I am a line editor at MuseItUp.  As such, it’s my job to look for spelling, punctuation and grammatical errors.  I also try to help the authors weed out extra words like “that” which tend to creep into everyone’s manuscripts.  I will also keep a lookout for inconsistencies that might have slipped by the content error.  I will also offer a second opinion if the author and content editor might not agree on how something should be written.

2.  What do you like about it?

There are a couple of things I like about my job.  First, I am an avid reader.  What could be better than a job where I get paid to read all day long?  It’s an almost perfect job.  Second, I have always enjoyed the English language and all its nuances.  Even when I’m reading a book for pleasure, I’ll notice errors that an editor didn’t catch, even from some of the big houses.  It happens, but it also proves to me that line editing comes natural to me.  

3.  You were already a fan of Vern and Sister Grace.  How did that help or hinder you in your editing?

I am indeed a fan of Vern and Sister Grace.  I think it probably helped my editing, knowing the characters. I could better tell if something fit or seemed out of character.  It always helps in editing if the editor enjoys the story she is working on.  Vern and Grace are such delightful characters; I look forward to both reading and working on the stories to tighten them up for publication.

4.  What was the best part of editing Live and Let Fly?

I enjoy working on books where the author has a sense of humor.  That’s not to say I don’t like reading dark and mysterious books, but it’s a nice change.  Live and Let Fly didn’t disappoint me.  Karina’s writing style always gives me a chuckle as I’m reading.  Vern just cracks me up sometimes with what comes out of his mouth.

5.  What was the most challenging part?

That’s hard to answer.  Karina is cooperative and open to suggestions.  By the time it got to me, the manuscript was in pretty darn good shape. Chris, as content editor, might have had more of a challenge than I did.

6.  Tell us a little about your own works.
I have three very different romance stories publis
hed this past year by MuseItUp: Love Delivery, a contemporary romance, Lady in Waiting, an historical romance, and Mirror, Mirror, a time-travel romance.  Sam’s Dot Publishing released a collection of my short stories in January of 2011, A Past and A Future.  My children’s books are all under contract with 4RV Publishing and will be released the end of this year and through 2015: Ghost for Rent and Ghost for Lunch are middle grade paranormal mysteries, and Boo’s Bad Day and Many Colored Coats are both picture books.  Here are links:

Love Delivery

Lady in Waiting



Mirror, Mirror


A Past and A Future

Ghost for Rent, coming 2012-2013
Ghost for Lunch, coming September, 2013
Many Colored Coats, coming October, 2014
Boo's Bad Day, coming June, 2015